Dan and Jay discuss the second Klutz Boy sketch and get stuck in the Archives Elevator near Geddy Lee and Andy Dick.
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Dan and Jay discuss the second Klutz Boy sketch and get stuck in the Archives Elevator near Geddy Lee and Andy Dick.
View Original Post and Listen to Episode Here: http://bit.ly/1Mxheui
Dan and Jay talk Jay’s latest babyfit and a sketch where Jay is a spy.
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After a two-week charity-enforced hiatus, we’re back, and discussing a very weird set of interviews and then we get into adult drink stirrers.
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This week, things get weird when Jason has to take two calls in the middle of the episode. A few things get straightened out about Dan’s temporal relationship to Jay, himself, and steam.
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This week, Dan and Jay discuss a track from Jay’s first birthday CD to Dan, in 2001. That CD? “Dannel Gomiller: Man of Juicy Texture.” That track? Well, let’s just say Jay feels challenged to explain his… accent work. And yes, that’s a LEGO Jacuzzi Jay’s holding.
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This week, Dan and Jay talk about the televised funeral of Wedgie, and then veer unavoidably into talking about urine again, somehow.
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Dan and Jay return, this week, to the land of VHS. Since tape 2 is a cluttered mess, they’ve skipped to VHS tape number 3, in which Jay auditions for a Synthetic Cheese commercial along with other unnamed friends, and Gribnish, a new addition to the DJCH family. Also, Dan tells another childhood story, so that already puts this episode in Top 5 status.
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Dan and Jay talk about the one completed actual sketch that would have ended up on their planned 2002 album, “Jenny is a Slute.” The sketch is called “Tea,” and is about a husband and wife, both played by Jay. They also talk about the presents Dan got Jay for his birthday, and a podcast by a former sitcom star.
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This week, Dan and Jay talk about the second of their trips to Cooperstown and Milford, New York. For five years, they recorded their mini-trips in various formats, and in 1999, they took some pictures to accompany their crappy dictaphone. We’ve uploaded the first two as videos to our Y
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