Comedy on Vinyl Podcast Episode 393 – Ian Brodie on George Carlin – A Place for My Stuff

Dr. Ian Brodie joins me to talk about folklore, using Carlin’s A Place for My Stuff as a way in to talking about how he examines stand-up through the folklore lens.

Host: Jason Klamm
Producer: Mike Worden
Guest: Ian Brodie

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Comedy on Vinyl Podcast Episode 250 – Clive Desmond on George Carlin – FM & AM

Clive Desmond has a fascinating history with comedy and radio, and we talk about not only Carlin but a lot about our old pal, Rusty Warren.

Host: Jason Klamm
Producer: Mike Worden
Guest: Clive Desmond

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Comedy on Vinyl Podcast Episode 201 – Dave Willis and Casper Kelly on Comedy Is Not Pretty and Class Clown

It’s a first for the podcast – two guests talking about two different albums.  We explore the manifold differences and similarities in the influences on the two guys who bring you Adult Swim’s Your Pretty Face Is Going to Hell, and it’s a genuinely great time.

Host: Jason Kl

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Comedy on Vinyl Podcast Episode 180 – Billy Merritt on George Carlin – Take-Offs and Put-Ons

You’ve seen Billy Merritt on numerous shows.  If you’re lucky enough (like our own producer, Mike), Billy has taught you improv at UCB.  We had a great time talking about the mind-changing effect Carlin and this album had on how Billy thought about comedy.

Host: Jason Klamm
Producer: Mike W

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Comedy on Vinyl Podcast Episode 158 – Paul Gilmartin on George Carlin – Class Clown

We’re back on a favorite, and not long since the last time we covered it.  I’m not sure if it’s just the demand of listening to the album more than I normally would, but the amazing Paul Gilmartin of The Mental Illness Happy Hour have a great discussion about this album, and also what it means

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Comedy on Vinyl Podcast Episode 155 – Lee Camp on George Carlin – Class Clown

He’s a stand up, an author, and the host of Redacted Tonight.  Give his work a listen and it’ll become obvious why the influence of Carlin was so important to him.  We discuss Class Clown and how important it is to have not only a point of view and a voice, but a reason for being on stage.  Not all stand ups necessarily agree that their work should have a point beyond laughter, but Lee’s a strong proponent of having one, and we have a great discussion about the purpose behind his material.

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