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It’s crazy to me that after 20 years “officially” (read: first check) in the entertainment business, that extra work has any place among the things I regularly bust my ass to create. When I was 19, getting paid to produce a video on grant writing, I didn’t even think I’d ever be an extra, let alone imagine there would be online outlets in the future that would be built so much on celebrating the infinitesimally important and engagingly ephemeral t
He’s an amazing stand-up, a writer for @midnight, and he was kind enough to pull this week’s album up on his phone since I gave away my vinyl to the last guest who picked it as that week’s album. Dan Telfer breaks down his love of “The Great White North” and sketch comedy in general, and then, because we haven’t had the discussion on the show yet, we talk Cosby. Because we both used to love him, and we both have our ways of expressing our change of heart. It’s a good episode.
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Brian Kiley is a stand-up, writer for Conan, and author of the book The Astounding Misadventures of Rory Collins. Somehow, we haven’t covered this album since our first three episodes, so it was definitely time for a revisit. We sat down and talked about the changing world of stand-up, as we
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Jason C. Brown is the director of an upcoming short film called Imaginary Friends, which is currently funding on Indiegogo, hence our unusual posting of a COV bonus episode this week. I may be biased (see me in the promo video below), but I think you should go send some money their way so t
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The Independent Shakespeare Company’s own David Melville returns, to again open up our comedy minds to the works of George Formby. Still a respected name in English comedy, his work never quite traversed the ocean sufficiently, so it’s time for some mind expansion. Formby’s double-entendre-laden ukulele tunes are played with an unusual skill on an instrument mistakenly seen as simple, especially given its current ubiquity. Enjoy some fun tunes and, if you’re in LA, go see the Independent Shakespeare Company at Griffith Park this summer.
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Craig Rowin of Your Pretty Face is Going To Hell drops by (and so do I, this was “on location” in Hollywood) to talk about Weird Al’s perfectly-timed “Off The Deep End.” Now, before you write me an e-mail about this being a CD-era album, I’d advise you to go to the Netherlands. Where they released this album on vinyl, apparently. Craig squeaked it, but I’m glad he did. This has one of my all-time top Weird Al songs, and we had a blast talking about (individually) meeting Weird Al, as well as, in his case, working with him.
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It’s not often you get to talk to someone about playing their own father in a movie. In 1992, that’s exactly what Rob did, for a cameo in “Heart and Souls.” We discuss how that came about this week, as big fans of his dad, but we also discuss his own introduction to comedy by the likes of Richard Pryor and George Carlin, the former passed down from his father. The album we’re holding isn’t discussed in this episode, but we are holding it for a reason – it has the first recorded mention of Rob’s name, in track one of side 2, in which Bob talks about becoming a father.
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On Sunday, August 2nd at IOWest, we helped kick off The 13th Annual Los Angeles Improv Comedy Festival with a tribute to Robin Williams, with Robin’s close friend, Rick Overton, and special guests Josia Elliott and Jamie Costa. Josia’s a big Robin fan, and if you haven’t seen Jamie’s moving tributes to Robin in the form of impressions, you should go here: youtu.be/Shg53iv4B9o
We had a wonderful time talking about Robin, his work, and getting a little sidetracked about impressions. But it wouldn’t be a tribute to that great mind if we weren’t a little all over the place
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